1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA
On the campus of Calvin University and Calvin Theological Seminary
© 2024 91
Current city: Waco, Texas
Denominational context: Baptist
91 roles: Assists the chapel director, leads some chapels, organizes Ash Wednesday and Station of the Cross services and all worship services that happen outside chapel. Leads worship once every two months at his church.
In brief: has written a lot of songs in Spanish about Pentecost and the Holy Spirit. He is a very famous musical missionary and composer among Spanish-speaking Protestants. He and his wife, Arleen, have ministered in Costa Rica, Guatemala and Mexico. He was the music editor of the Spanish hymnal Celebremos Su Gloria.
Go-to resources: (Mundo Hispano); (Libros Alianza); (Faith Alive Christian Resources)
Current city: Grange-over-Sand, Cumbria, United Kingdom
Denominational context: United Reformed Church
91 roles: Iona Community member who leads music and worship at workshops and events. She and John Bell co-produced the book and CD . At her former church in London, she was on a team that helped choose songs based on the lectionary.
In brief: Twenty years ago, a science student on an alternative worship team told me that in the Old Testament, one of the Hebrew names for the Spirit is Ruach, and that name is feminine! Holy Ghost was the name most used in my childhood church, which made the Spirit “it” and spooky. What this student shared changed me forever. The people of God have experienced, imagined, expressed and named God as having a feminine nature. Wow! We know that all humans are made in the image of God, so human nature, masculine and feminine, are of God. How then could we fail to joyfully embrace the possibility of expressing the Holy Trinity as Father, Son and Holy Spirit, with the Spirit as “she”? It’s a bigger picture of God, and it’s biblical. So when choosing songs for Pentecost, I make it a priority to use songs which speak of God’s Spirit in the feminine. I include a word of explanation and have never had a negative response expressed to me. I believe it is because people know, from experience, of the feminine qualities of God’s care for them.
Go-to resources: by Ruth Burgess and , by John Bell and Graham Maule
Current city: Northfield, Minnesota
Denominational context: Evangelical Lutheran Church in America
91 roles: Leads church music ministry and helps plan worship as St. John’s Lutheran Church interim director of music and worship. Designs and leads local, national and ecumenical hymn festivals.
In brief: The first question for choosing hymns is whether the text is worth being sung. For Pentecost hymns, look for images that gently invoke the Spirit and also for words of fire and flame. The tune should fit the text in a way that just falls off the lips and is accessible and simple but not cheap. Visual idea: when the Pentecost Sunday service ends, our church goes outside to release red balloons with little notes inside, like “The Holy Spirit just descended on you from…” We get notes back from all over.
Go-to resources: Denominational hymnals and their handbooks “for worship ideas, human interest nuggets worth sharing and unique traditions in other denominations.”
Current city: Kingston, Jamaica
Denominational context: United Church in Jamaica and the Cayman Islands
91 roles: Plans worship for World Council of Churches and other international, national and regional events. As an ordained pastor, she works with the worship team in her home congregation.
In brief: I love birthdays—my own, my friends’, Christmas and, of course, the birthday of the Church! Selecting music for Pentecost requires capturing the cry for a power that equalizes and transforms while celebrating the fact that—because of the movement of the Holy Spirit on that special Pentecost—Gentiles have unlimited access to the faith. My interest in liturgy was birthed from my love of the creative and performing arts and the subsequent desire to see some of this infused in worship, to create a space where God’s name is praised in a multifaceted way. Our congregation’s seasonal themes fall under a main annual theme. One year we sought to strengthen our spiritual and social base as a church family under the theme “Rev-vibrating the Broken Chords.” For Lent we sought to “put the pieces back together,” and in Pentecost we worked on “being in accord with the Spirit.”
Go-to resource:
Current city: Elmhurst, Illinois
Denominational context: Christian Reformed Church in North America
91 roles: Plans and leads Sunday worship and music.
In brief: “Lean On Me” can work as a sermon response, as we seek the Holy Spirit’s power to lean on the providence of God or lean into building the body of Christ. Often our Pentecost themes are more communally than personally focused. The content is about the implications of the resurrection for our lives, such as the power and dynamics of forgiveness or what it means to live as baptized Christians. Our Pentecost series have focused on images of light, living water and serving as the hands and feet of Jesus. I prefer having a theme song or cluster of two or three theme songs or theme psalms. We might not do each one each week but will repeat them maybe four times in a six week series.
Go-to resource:
Current city: Grand Rapids, Michigan
Denominational context: Christian Reformed Church in North America
91 roles: Plans and leads Sunday worship; co-author with Lora Copley of the forthcoming Come to Me: a Family Prayer Book.
In brief: Throughout the year, but especially in Pentecost, we try to focus on global music. We introduce only a few new songs each season. A couple of guitarists help lead worship every Sunday. Sometimes a few other singers will sing a new song through first to introduce it to the congregation. We do seasonal liturgies, so we have three songs that we’ll sing every Sunday for the season. We choose the other three or four songs each Sunday according to the sermon text.
Go-to resource: in Reformed 91, especially
